Learn to call contra dances with me!

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My First Half Evening

8 months ago, I called my first set at Saint Matthias Hall. It did not go well. Anne, my mentor had to come onstage with me and help me start the dance, and after the dance I cried on the drive home, thinking I had messed up my only chance.

Last weekend, I called a half evening at Saint Matthias Hall. It wasn’t perfect, but it was entirely functional.

Calling with the Odd Hack Band at Saint Matthias Hall

My Dances

I started by calling the beginner lesson, teaching basic contra moves using Larks and Robins terminology. As part of the lesson, I called Essex Reel by Tony Parkes. That was an easy and familiar (if not very interesting) dance.

Our first full dance of the evening was Orono Special by Tony Parkes. It was a little too similar to Essex for my taste. Next time, I will try something a little more dynamic as a first dance.

Then, we moved on to Simplicity Swing by Becky Hill, Hello Nurse by Maia McCormic, and Butter by Gene Hubert. These dances all emphasized chains, and I used them to introduce my dancers to swings, chains, and heys. Butter was a new dance for me, and it fell apart a bit because the band played a 3 part tune rather than a 2 part tune.

We ended the half of the dance with With Thanks to the Dean by Steve Zakon-Anderson. This is a dance that I particularly like because it is an easy double progression by a caller I really admire.

I also planned to call an adapted version of Petronella, but I didn’t end up having time for 6 dances.

Feedback

I was approached by quite a few dancers afterward, who told me that they appreciated my dance choice. I specifically got good feedback on my last few dances.

Talking to the Odd Hack Band, I learned that my cues were often late for ending tunes, something I am hoping to work on in the future.

Reflections on My Calling Journey

I have grown so much throughout my inquiry process, but I am still right at the beginning of my calling career.

When I started this inquiry, I wasn’t sure whether calling was something that would “stick” for me. I wondered if it might just be a phase. Now, I see how much I can give back to the contra community by being someone who knows how to call and who can step in and call a dance.

I have also seen how much power callers have to make positive change in contra communities. Callers can create dances wherever they are, a fact that gives me so much joy. I wish I had learned to call earlier, so I could have brought contra to all the places I have been.

Moving Forward

This summer, I’m working to organize a contra dance at the First Unitarian Church of Victoria so that the Victoria contra community has contra in the summer.

I am also traveling to New England in June and calling three dances with my best friend, ex-roommate, and the woman who taught me to dance.

Find a partner for another dance and take hands four from the top.

Programming With Scratch and Micro:bit

Beyond a class I took about coding in R in my undergrad, I have not done much with coding or programming. However, this week, two of my classes had workshops on the topic. In our science teaching course, volunteers from Science Venture came into our classroom to do a workshop on programming with Micro:bit. Simultaneously, we worked on programming with Scratch in this class.

If I had the resources in my class to do programming, I would integrate these programs into my curriculum in a few different ways.

Connections to Important Tech

In my class, I would like to help my students understand all of the simple computers that help us in our day-to-day lives. When we worked with Micro:bit, I was struck by the features that allowed us to program the Micro: bit into a compass that would display certain messages when pointed in the cardinal directions.

Immediately, I started thinking about the ways that we could use this tech to explore the tech that has become ubiquitous in wilderness adventure like transceivers that backcountry skiers use for safety in avalanche country or GPS devices that allow expeditions to send out an SOS signal from areas where there is no cell phone service.

Gratitude Through Programming

One of my core beliefs in education is that students will be more grateful for the technology and resources they have when they know the work that goes into creating those resources.

I think that it would be a great curricular connection to explore GPS units just like we would explore any other outdoor technology like skis, stoves, or tents. If we know the people who created this technology and the work that they put into making it available for us, we can fully grasp the privilege that comes with using these technologies.

Resources for New Contra Dance Callers

As a new contra dance caller, I have been working hard to find dances and resources on calling. At this point, I have found a few, so I created an interactive video with some of my online resources.

My New Dances

As I promised last week, I am back with new dances. I pulled together five new dances that I hope to learn before my next calling opportunity (on February 4th). My newest dances are:

With Thanks to The Dean – Steve Zakon- Anderson

I found this dance this fall when I was dancing at the Victoria Contra Dance this fall. I fell in love with this dance because it is a double progression (meaning that dancers move through two minor sets each time the band plays the tune). Double progression dances are often quite difficult, so I was pleased that this one was accessible. I asked the caller for the name after the dance.

Heart of Glass – Carey Ravitz

I found this dance when Eric Curl was calling Victoria Contra Dance on January 28th. Eric called a variation of this dance called Fly Away by Roberta Kogut. Both dances feature a star promenade and a butterfly whirl which are figures that I would like to learn to call. After the dance, Eric let me take a photo of his dance card. I chose to learn Heart of Glass rather than Fly Away because Heart of Glass is a very popular dance that I have danced many times.

Hands holding a dance card with the calls for the dance Fly Away by Roberta Kogut
Fly Away by Roberta Kogut

Orono Special – Tony Parkes

This is an easy dance that I already had in my caller box because it was a dance that Rosemary had called many times. I knew that she loved this dance because the dance card was bent.

Awesome Double Progression Dance – Donna Calhoun

This dance was already in Rosemary’s calling box and it has a double progression. I learned about it from Rosemary and the Rising Contra Dance Callers Collective facebook page.

Petronella- Traditional

Petronella is a traditional contra dance that people still love to dance today. The version of Petronella that I am learning to call is a variation to the traditional (some people call the variation “Citronella”). I am learning the adapted version because it is a bit easier to call, but it still contains the balance the ring and twirl figure that made the dance a classic.

What Is Contra Dancing?

Contra dancing is a style of partner dancing with roots in English country dancing. It evolved in New England during the early colonization of North America, and has survived through the generations because it is a great way to maintain community, make friends, and keep traditional fiddle tunes relevant . Contra dancing is a “called dance” like line dancing or square dancing, meaning that there is one person giving directions to a group of dancers during the dance. Contra dancing is composed of a series of nested figures. There are figures that one person alone will perform, figures that partners will perform, figures that groups of four will perform, and figures that the entire line of dancers will perform. These nested interactions make contra dance a rich opportunity for dancers to interact with everyone in the hall in a structured way. Although Contra dance has many aspects that have remained the same for more than a century, it is also constantly adapting to suit the needs and desires of new dancers. Contra dancing has grown over the years in ways that represent North America’s changing understandings of gender roles, gender, relationships, consent, and community.

I started contra dancing when my college roommate (who is now a professional contra dance musician) took me to a dance. I immediately fell in love. Five years of dancing later, that same roommate suggested to me that I should learn to call contra dances, after I complained to her about the lack of contra callers in the Victoria area.

Using ChatGPA To Teach Editing

When I was a student, I worked at my university’s writing center. In this job, I learned to edit student work, helping first year students edit their first assignments and supporting masters’ students as they edited their thesis. I noticed that students persistently made the same mistakes and struggled to edit their own work.

Although talking in class about ChatGPA made me a little worried for the future of plagiarism, it also inspired me to think of new ways to help students learn editing skills.

When students are assigned essays they are often so exhausted by their topic that by the time they reach the editing stage, they find that they have no energy to read their essay over. With ChatGPA, student can instantly create an essay on any topic they like and spend the majority of their time working on editing the essay.

At this moment, it seems like ChatGPA and other AI content generating software represent the direction that school is moving. And if that is true, then teachers need to radically rethink technology in the classroom. Teachers need to help students work collaboratively with AI, rather than competing with it.

However, the future is far from set in stone. Sometimes, designing curriculum feels like writing science fiction. We are reaching forward with our words, trying to imagine a world that has never existed before.

When I think about curriculum development, I feel torn between preparing students for the future that will come if society follows current trends and the best possible future that I could hope for for my students. I want to believe that if I keep both of these in mind, my students will be prepared for a future somewhere between those two poles.

All of this is to say that although I am a bit of a tech resistant curmudgen who wants to teach her students to start fires in the woods and knit, I suppose that AI is here to stay, and I believe that using ChatGPA to teach editing skills will equip our students for the science fiction future we are writing.

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